I’m usually not big into the art scene*, but I spent this afternoon at the ArtCrawl**. I realize the website isn’t particularly helpful—the idea is that a bunch of studios in the downtown area all open their doors once a year and put on free shows for the general public.
I didn’t know quite what to expect, thanks to my aforementioned “art scene” ignorance and the uninformative website, but I found myself pleasantly surprised. The sense of overall organization was, um, not overpowering, but everything seemed to work itself out, and I didn’t have any serious goals in mind besides “see art” and “come home alive,” both of which I accomplished handily, thank you very much. Secondary, fortuitous goals-accomplished included “pick up free shiny cards with pictures on them,” “walk around inside cool old buildings,” “buy a necklace slide,” “watch a demonstration of glass bead-making,” and “ride the bus a lot.”
It was nice to walk into a fairly-fancy art studio with absolutely no intention of buying any of the thousand-dollar paintings hanging on the walls and still be greeted warmly and encouraged to look around. I’m usually intimidated by small private art-y places (i.e., not museums) because (a) I don’t have the kind of money those folks are interested in and (b) I don’t know what the protocol is, how I’m supposed to behave.
Most of the studios were in a part of town I’d never visited before, and I had no idea there was so much culture hidden away in these nondescript old warehouses. It’s almost as if…as if Houston were, gosh, I dunno, a big city or something. Who knew?
When I’m sitting at home with my internet and my puppy and my Starbucks, I don’t often have the inclination to get up and go see art. Art is frivolous, I think. I have more “important” things to worry about***. But when I actually get off my ass and go see art, I realize that art? Art is wonderful, yes it is. The world needs art. I cannot live without art. Art art art.
I was particularly impressed by an installation on immigration. The creators of this project passed out six hundred disposable cameras to immigrants and Minutemen along the Mexican border, bundled with addressed, stamped envelopes and Walmart gift cards that would have money added to them if the cameras were returned. Seventy-three of the cameras came back, evenly split between the two groups. Many of those photos were posted in the gallery, along with portraits of and interviews with everyday folks on both sides and a documentary film.
I’m woefully undereducated on current immigration policy and practice, especially considering my Texas residency. This exhibit did good work towards correcting that. In particular, I now have a bit more sympathy for the Minutemen. I’ve still got plenty of sympathy for the immigrants, of course, but less of a knee-jerk incredulous reaction to the other side.
Okay, I’m running out of time and falling asleep, so I might as well end here. Link? Um, go read The Onion or something. I’m going to bed.
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* Is there such a thing as the “art scene”? Do people even say that? Perhaps there’s more than one. I’m so far out of the loop I don’t even know what shape the loop is or where it is or how many loops there are. Ha, awkward literalization of idioms FOR THE WIN.
** I say “the” ArtCrawl as if I’d heard of it before last week. I have no idea how well-known it is.
*** Like posting a goshdarn entry every goshdarn day goshdarnit. I hate writing under time pressure. I feel like I’m churning out nothing but crap, but every night it gets to be 11:50 and crap is all I’ve got, so I cringe and hit Publish. Blargh.