[I’m still working on my AIT reaction. I should have taken better notes (i.e., any notes at all)—right now I’m trying to get everything written down before I forget it.]
Last night I went to the opening party for the Sabine-to-Bagby Promenade, a brand new mini-park along Buffalo Bayou.
The food was great, the temperature wasn’t too sweltering, the bugs didn’t come out until late, and the fireworks were nice, as fireworks go*. But the films. Oh god, the films.
The bulk of the five-hour event was occupied by the “Floating Cinema,” a screen and projector on a barge in the bayou. They showed three films, reviews of which you can read here. (Be forewarned: the second review is at best embellished and at worst a pack of lies.)
The first film, Two Rivers, was fairly dull. I suppose it was a documentary of some sort, but there was no talking, just shot after shot of silent, dreary riverscapes and rusty boats. I only recall one shot with actual people in it.
Now that I’ve read the blurb, I have a vague idea of what we were supposed to be seeing, but there was no explanation in the film itself. To my artistically-unsavvy eye, it appeared to be a 35-minute slide show of water and trees. A good time, it seemed, to find the port-o-potties and refresh our margaritas**.
The second film, we thought, would surely be better. What fools we were.
Ten Skies was precisely what would you would expect from its name, but much, much longer. Imagine a shot of the sky. Just sky, no scenery. The shot is in real time, as if you were lying on your back staring up at the sky. Do that for ten minutes. Then do it again. And again. And again. And again. And again. And again. And again. And again. And again.
Oh, and the “soundtrack”? Not stories, as the blurb suggests. No talking, just the background noise of the outdoors—a low, dull roar, the occasional bird. Monotonous.
I don’t have a problem with “minimalist” art in general. If I’m in a museum and see a completely blue canvas, I think to myself, “Wow, that took very little time and effort to create, but it says something interesting about the nature of art, blah-di-blah.” AND THEN I MOVE ON. The blue canvas has taken up maybe ten or fifteen seconds of my life. This film, by contrast, took SIX THOUSAND of those seconds—cruel and unusual punishment, imho.
Sure, we could have gotten up and left at any time*** during that first two-and-a-quarter hours, but we stuck it out in the hopes that the Andy Warhol film, at least, would be worth watching.
It wasn’t.
Sunset was a 33-minute real-time shot of, you guessed it, a sunset. This one *did* have words, but those words were spoken vveerryy sslloowwllyy by the disembodied voice of a woman on some serious downers and were along the lines of
The sea . . . is black. Black. The sea is black. His skin . . . his skin . . . is white. I am . . . infinity. Infinity . . . is here. Here . . . death. Death . . . death . . . wants to be here. The sea is white . . . is white.
My blanketmates (Wendy and her mom) and I are pretty snarky people, but by the end of the night our once-overflowing fonts of sarcasm were more or less dried up. There are only so many ways to say “I wish those people in front of us would sit down—I’ve only seen this riverbank forty-three times,” or “Gosh, that sky is completely different from the sky I see EVERY DAY.”
If I’d remembered to bring my camcorder, you could have witnessed my slow, three-hour descent into sanity insanity (Freudian slip?). There was much wailing and tearing of the hair. Also writhing. Perhaps it’s better that you don’t witness it.
I don’t know what the organizers were thinking when they scheduled the evening’s entertainment. Is the Floating Cinema producer somebody’s brother? These films might have played well to an artsy crowd in a more snobbish venue, but to the general public (and the general public’s children) sitting on the grass drinking beer? Hardly.
People were crammed in blanket-to-folding chair all up and down the bayou for the fireworks show, but at least half the crowd packed up and left five minutes into Two Rivers. By the end of the Warhol film, you could roll a good-sized boulder down the hill and have only a fifty-fifty shot of hitting anyone.
The park is beautiful, the new blue lights are cute, the food (I had chicken and sausage etouffee) was scrumptious, but the entertainment was disappointingly dull, to the point of being ridiculous. Next time we’ll bring a deck of cards. Or more booze. Or both.
———
* I don’t like loud noises, and I don’t like things that startle me. Fireworks shows generally rate pretty low on the list of “things Natalie enjoys.”
** They were blue. The alcohol made the films *slightly* more bearable. Only slightly.
*** There was apparently an orchestra playing on the opposite bank, though we never heard it. We could have gone and listened to that instead, but I guess we didn’t think of it.